Steven Spielberg Pranked Harrison Ford on Set by Giving Out ‘About 300 Copies’ of Ford’s Biography That He Despised: ‘Everybody Was Reading That’

U.S. President Donald Trump’s tariffs would push Canada’s economy into a recession and cause unemployment to surge, BMO’s chief economist said in a research note, likely pushing the Bank of Canada to cut its benchmark interest rate at its next six meetings through October.

It’s an elusive dream for so many docmakers: to impact legislation, to find justice, to make a difference. To change the world. With Free Leonard Peltier, filmmakers Jesse Short Bull (Lakota Nation vs. United States) and David France (How To Survive a Plague) achieved their eponymous goal: Seven days before the world premiere of their film at the 2025 Sundance Film Festival in January, President Joe Biden, in his last act before leaving office, issued a clemency order, commuting Peltier’s sentence to home confinement.

On every game day this season, THN Fantasy will highlight players and goalies for fantasy managers to stream or roster for the rest of the season. The recommended players and goalies are rostered in less than 50 percent of Yahoo leagues and can be selected in standard fantasy leagues or for daily fantasy games.

The 30-day reprieve from Trump tariffs announced this week may have come as welcome news for consumers and businesses alike. But ongoing uncertainty will continue to weigh on investments and should be a wake-up call for policymakers and businesses, experts say.

The return of Drew Doughty to the Los Angeles Kings lineup ignited fans and teammates alike with a wave of excitement and renewed hope. With their star defenseman back at the helm, the Kings felt like a complete team again, ready to face any challenge. As the 6-foot-1 Canadian participated in the 4 Nations Face-Off against teammate Adrian Kempe, there's potential of him improving his playmaking abilities and returning to the star defenseman form we all know and appreciate.

In a pivotal 4 Nations Face-Off semifinal, Team Canada secured a 5-3 victory over Finland at TD Garden in Boston, propelling them into the championship final against Team USA.

Canadian Natural Resources (CNQ.TO)(CNQ) shares were downgraded by TPH & Co. on Monday. At the same time, the Houston-based research firm joins a growing camp of analysts favouring Suncor Energy (SU.TO)(SU) and Imperial Oil (IMO.TO)(IMO) amid the risk of U.S. tariffs on Canadian crude.

The USHL announced its Players of the Week on Monday as NTDP forward Richard Gallant, Sioux Falls defenseman Filip Nordberg and Des Moines goaltender Max Weilandt took home the respective honors for games played between March 3-9.

It was Alexa Vasko’s first pair of goals in an Ottawa Charge sweater that lifted her team over the Minnesota Frost just days after a 5-0 romp in their Takeover Tour game in Carolina.

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Saginaw Spirit captain Michael Misa has been at the top or leading the OHL in goals and points practically all season. He's showing no signs of slowing down and is on pace to have one of the best seasons by a 17-year-old OHL player.

(Bloomberg) -- Top US and Russian officials are to meet in Saudi Arabia on Tuesday to discuss how to end the war in Ukraine, without anyone from Kyiv taking part and as Europe struggles to respond to the rapid pace of events.

It’s taken eight seasons, but I’m finally doing it: I’m publicly sticking up for a Love Is Blind man. (I know, I know — but hear me out!)

Actors Mike Ferguson and Twana Barnett have joined the cast of “Last Hit,” a new action thriller that also stars Joe Davison, who appeared in the second season of “Stranger Things,” and Levee Duplay, who was in “The Tailor of Sin City.”

“Nothing in his life became him like the leaving it.” OK, that’s the wrong play since it’s a line from “Macbeth,” but it best sums up Jonathan Bailey’s performance in the new London production of “Richard II”: The actor cranks up several gears the moment his character is forced by usurper Henry Bullingbrook to give up the throne of England for a life of imprisonment in the second half of director Nicholas Hytner’s staging of Shakespeare’s history play. But the fact that Bailey takes time to catch fire is not entirely his fault, since neither Shakespeare nor Hytner make life easy for him. Given that the play is set at the close of the 14th century, it’s no surprise that Hytner believes the play, which depicts the ushering in of a nation’s decades-long succession crisis, needs contemporary reference points. That explains composer Grant Olding’s doom-laden, grinding, low strings that herald a driving rhythm and a light-touch, bitter piano melody opening the production, a clear hat-tip to Nicholas Britell’s Beethoven-tinged theme to “Succession.” It also governs Bob Crowley’s crisp men-in-black-suits design. The antithesis of the exuberantly colored “Guys and Dolls,” the last show to play at Hytner’s physically versatile Bridge Theatre (and which ran almost two years), this limited run of “Richard II” is stripped-down and stern. Gone is the expected heraldry and splendor of the English court in which King Richard traditionally basks. Instead, the audience is arranged in the round observing a traverse-style black runway staging with changing, minimal locations being lifted up through the floor on hydraulics. It makes for welcome fluidity, highly useful in a play that, for the first half at least, moves through an uncomfortable number of locations and a load of exposition.This is a story about the threat to the kingdom and, specifically, Richard, who ruled neither wisely nor well with absolute power by ancient Divine Right. The nation is torn apart by the plots and counterplots of men and their forces loyal to the crown and those backing Henry Bullingbrook, the Duke of Hereford who, successfully as it turns out, puts his eyes on the ultimate prize and steals it.That the tussle for dominance between the men is so potentially dramatic is illustrated by the fact that around fifty years ago, Richard Pasco and Ian Richardson, two leading Shakespeareans of their day, alternated the roles when they led the play in a celebrated RSC production. Here, alas, the balance is uneven. Royce Pierreson is nicely forthright and determined but his performance is unvarying. The wonderfully character-driven abdication scene between the two men is the production’s highpoint, but elsewhere Pierreson’s determination is too one-note. Anyone questioning the wisdom of the star-casting of “Bridgerton” and “Wicked” talent Bailey should bear in mind that he played Cassio in Hytner’s riveting “Othello” at the National Theatre back in 2013 and followed that with an arresting Edgar/Mad Tom opposite Ian McKellen’s King Lear for director Jonathan Munby. As a result, his handling of the language and, crucially, the intent behind it, is entirely easeful. His king is self-satisfied and perfectly petulant, dispatching orders, and often men’s lives, with gleaming disdain. He’s even better when he’s calmly and quietly coming to understand himself and the nature of his previous selfishness in the play’s highly reflective and tender final scenes.But between those extremes of temperament, the living center of the character remains unseen, robbing the production of strength. That’s partly because he has to energize scenes that here lack force. Hytner is unquestionably one of the great directors of Shakespeare, but this production is uncharacteristically undercast in places. Some of the acting proves more proficient than powerful.

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Canadians and other foreign nationals who plan to stay in the U.S. for 30 days or longer will soon be required to apply for registration and fingerprinting with the Department of Homeland Security.

Luka Dončić and the Los Angeles Lakers had no issues Monday night.

The Los Angeles Kings have not won a playoff series since winning the Stanley Cup in 2014. And as thrilling as Alec Martinez’s OT game-winner was for Kings fans, it took place almost 11 years ago.

Former Doctor Who and Broadchurch showrunner Chris Chibnall’s debut novel is becoming an ITV drama series.